wildlife

i recall seeing an exhibition when i was 18 years old. basic maths would tell me that was 10 years ago but surely it cannot have been that long,

2014 marks the 50th anniversary of the competition and shows how far photography has evolved in the past 5 decades. the lighting is perfect in bringing out the incredible results of the photographers' impressive courage and patience. 

Grand Title Winner 
Michael 'Nick' Nichols, USA

"Nick set out to create an archetypal image that captured the essence of lions in a time long gone, before they were under such threat. The Vumbi pride in Tanzania’s Serengeti National Park are a ‘formidable and spectacularly co-operative team,’ Nick says. Here the five females lie at rest with their cubs on a kopje (a rocky outcrop). Shortly before he took the shot, they had attacked and driven off one of the pride’s two males. Now they were lying close together, calmly sleeping. They were used to Nick’s presence as he’d been following them for nearly six months, so he could position his vehicle close to the kopje. He framed the vista with the plains beyond and the dramatic late afternoon sky above. He photographed the lions in infrared, which he says ‘cuts through the dust and haze, transforms the light and turns the moment into something primal, biblical almost’. The chosen picture of lions in Africa is part flashback, part fantasy. Nick got to know and love the Vumbi pride. A few months later, he heard they had ventured outside the park and three females had been killed."

Grand Title Winner - Young Wildlife Photograph of the Year 2014
Carlos Perez Naval, Spain

"This common yellow scorpion is flourishing its sting as a warning. Carlos had found it basking on a flat stone in a rocky area near his home in Torralba de los Sisones, northeast Spain – a place he often visits to look for reptiles. The late afternoon Sun was casting such a lovely glow over the scene that Carlos decided to experiment with a double exposure for the first time so he could include it. He started with the background, using a fast speed so as not to overexpose the Sun, and then shot the scorpion using a low flash. But he had to change lenses, using his zoom for the Sun, which is when the scorpion noticed the movement and raised its tail. Carlos then had to wait for it to settle before taking his close-up, with the last of the light illuminating its body."

(50th Wildlife Photographer of the Year)